ISPA would like to thank the 2009 Donors and Patrons who support ISPA initiatives:
2009 CHALLENGE
Participants support ISPA’s many global and local programs.
$1,000 +
David Baile
Walter Jaffe and Paul King
Roli Hope Odeka
Benson Puah
Susan Stockton
Ann Summers
2009 Patrons
Patron support is dedicated to building ISPA's capacity to include artists and arts leaders from developing countries in our semi-annual Congresses, and to developing ISPA's ability to offer scholarships to cover expenses for Congress attendees.
- Anonymous
- CANPAC: EPCOR CENTRE for the Performing Arts, Colin Jackson; Place des Arts, Marie Lavigne; The Corporation of Massey Hall & Roy Thomson Hall, Charles S. Cutts
- Fox Cities Performing Arts Center, Susan Stockton
- Margaret Maitland Bayley Trust
- Martha H. Jones and Christine Armstrong
- Luminato
- The Mighty Handful: Barbican Centre, London; The Bridgewater Hall, Manchester; Glasgow Concert Halls, Glasgow; The Sage Gateshead, Gateshead; Symphony Hall & Town Hall, Birmingham
- Tampa Bay Performing Arts Center, Judith Lisi
- United States University Performing Arts: Carolina Performing Arts; The University of North Carolina at Chapel Hill; Center for the Performing Arts, The Pennsylvania State University; Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign; Robert and Margrit Mondavi Center for the Performing Arts and University Outreach and International Programs, University of California, Davis; University Musical Society, University of Michigan
- Woodruff Arts Center, Joe Bankoff
ISPA's international Board of Directors invites leading figures and organizations in the performing arts to become ISPA Patrons. We also invite ISPA member organizations to become Patrons by soliciting support from among their Board members or local foundations and corporations. Patrons will support ISPA's mission and the Global Capacity Program with annual support of $5,000 USD. In order to ensure an effective growth experience for the beneficiaries of the Global Engagement Program, the minimum period of Patron support is three years.
Patron support will be dedicated to building ISPA's capacity to include artists and arts leaders from developing countries in our biannual Congresses, and to developing ISPA's ability to offer fellowships to cover expenses for Congress attendees.
Recognition
Patrons will be recognized appropriately for their valuable support:
- Patrons' names will be listed in each Congress program;
- Patrons will be invited to, and recognized at, ISPA's Annual Awards ceremony;
- Non-member Patrons will receive honorary ISPA membership status;
- Patrons will receive regular reports of the activities of the beneficiaries.
Beneficiaries
Comments from recent beneficiaries of our Global Capacity program:
''It was wonderful to get to know some of the members quite well, and I generally felt a great deal of warmth, concern and involvement from the members. The pre-conference and the conference itself have given me some new ideas. I am in the process of implementing these ideas in India, and will soon send you some details of progress. The response from my Indian counterparts to these ideas is extremely encouraging, and opens a new chapter in our method of working.''
Nissar Allana, New Delhi, India
''...an experience that has truly enriched my personal and professional life. I hope that I will find means to attend future congresses, and will be able to share with you and other delegates the way the professional art world develops in the Balkan region. My most enjoyable experiences were meeting experienced professionals from the art management field, sharing experiences, discussing cultures and constantly feeling among friends.''
Roza Nolceva, Skopje, Macedonia
''I feel membership of ISPA would be very useful to future fellows on the Clore Leadership Programme: not only are the topics covered in the presentations of central relevance to the core concerns of the Clore programme, but ISPA meetings provide excellent opportunities for fellows to network internationally and to make the Clore Leadership Programme more widely known in the performance arts world.''
Jo Hedley, London, England
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