An opportunity for ISPA attendees to meet Irish theatre and dance artists and arts organisations from Ireland and enjoy a short series of 6-minute presentations of tour-ready work supported by Culture Ireland
Is it possible to travel the world in just one night? On January 14, see for yourself at Lincoln Center as globalFEST takes over David Geffen Hall. Get to experience all 10 artists across three stages performing their signature styles
including Bomba, Xhosa Rhythms, Electro Folk, Psychadelic Rock, and more. Don’t miss the one-night-only event that NPR Music rightfully calls “a thrill ride."
- Sunday, January 14, 7:00pm - 11:45pm
- David Geffen Hall
- 4.75 Hours, 50 minute sets
- promo Code: $10 discount: ISPA24MEM. Please contact info@globalfest.org for more information
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Live Artery is a dynamic festival featuring new and recent works by resident commissioned artists and curated guests. The Black Circus of the Republic of Bantu is an immersive, live offering by Albert Ibokwe Khoza in collaboration
with African Entertainers. It exposes the violent and shameful legacy of ethnological expositions that were popular in Western society. Khoza investigates the effect of the imperial and colonial gaze on Black bodies, and how it
sits within Black bodies today. Examining the ongoing pain of historical and persistent racism, Khoza creates a space for collective healing and an opportunity for dignity to be reclaimed.
Artist: Albert Khoza in collaboration with African Entertainers
- Jan 11-13, 8:00pm
- New York Live Arts (219 W 19th St)
- 55 minutes
- General admission $25, $15 Presenter tickets. The discount tickets for ISPA Delegates: 15% general admission tickets for ISPA members with code ISPA24 for all mainstage productions (Faye Driscoll, Dynasty Handbag, Albert Khoza,
Molly Lieber and Eleanor Smith). Please contact boxoffice@newyorklivearts.org
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Live Artery is a dynamic festival featuring new and recent works by resident commissioned artists and curated guests. Driscoll’s newest work Weathering is a multi-sensory flesh and breath sculpture made of bodies, sounds, scents, liquids
and objects. Ten performers enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. The audience embanks the performers, close enough to smell the sweat and feel the steam of the
central, spiraling scenes in this symphonically active, luminously living work.
Artist: Faye Driscoll
- Jan. 9-12, 7pm; Jan. 13, 3pm
- New York Live Arts (219 W 19th St)
- 90 minutes
- General admission $25, $15 Presenter tickets. The discount Tickets for ISPA Delegates: 15% general admission tickets for ISPA members with code ISPA24 for all mainstage productions (Faye Driscoll, Dynasty Handbag, Albert Khoza,
Molly Lieber and Eleanor Smith). Please contact boxoffice@newyorklivearts.org
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A live performance based on a reading of THE FIRST BAD MAN, a novel by Miranda July.
Kitty Blennerhasset, John Benno, Rose McVittie and Freya Golden have recently joined a book club. Their first book is The First Bad Man and every week for a year they keep coming back to it. This performance is a telling of these book
club members’ encounter with the characters of Miranda July’s novel, reviewed by The Observer as: ‘Heartbreakingly sad, thoughtful, disgusting and hilarious’. Each person booking tickets for the performance will receive a copy
of the novel in the post.
Created by Mish Grigor and Gavin Quinn with Aedín Cosgrove, Luka Costello, Clare Howe, Sonya Kelly, Simon Kenny, Grace Morgan, Katherine O’Malley and Dylan Tighe.
Performed by Mish Grigor, Faith Jones, Chris Manley & Grace Morgan.
Presented in collaboration with Under the Radar Mark Russell, Festival Director & ArKtype, Festival Producer
- Friday, January 5 @ 7:30 pm
Saturday, January 6 @ 4:00 pm; 7:30 pm (Relaxed performance)
Sunday, January 7 @ 4:00 pm; 7:30 pm
Tuesday, January 9 @ 7:30 pm
Wednesday, January 10 @ 7:30 pm
Thursday, January 11 @ 7:30 pm
Friday, January 12 @ 7:30 pm
Saturday, January 13 @ 4:00 pm; 7:30pm (Relaxed performance)
- 60 minutes
- Lincoln Center for the Performing Arts, Samuel Rehearsal Studio, 7th floor of Rose Building
(165 W 65th St, New York, NY 10023)
- Tickets are Choose What You Pay
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Terce: A Practical Breviary weaves together classic monastic texts, the artist’s own adaptations, and passages from “Revelations of Divine Love”— a medieval text written by one of the first female theologians who describes a revelation
of spirituality through a feminine view of Christ. This mass pays homage to God as the mothers that live within us. Its lyrical score is built for an all-women ensemble with a percussive underscore of traditionally female medieval
home crafts being made. The composition blends contemporary, soulful rock and gospel with layered acapella harmonies traditionally found in Christian church services.
Composed and Written by Heather Christian
Directed by Keenan Tyler Oliphant
Music Co-Directed by Mona Seyed-Bolorforosh and Jacklyn Riha
- January 10, 11, 17-19 at 7pm | January 13 & 20 at 9am & 3pm | January 14 at 3pm
- The Space at Irondale (85 S Oxford St, Brooklyn, NY 11217)
- 60 Minutes
- Please send inquiries directly to info@prototypefestival.org
- Tickets from $35. Use code PROTOINDUSTRY24 for 15% off at the $35 level.
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Between 1910 and 1940, many Chinese immigrants flowed through the immigration station on Angel Island inside San Francisco Bay, facing mass discrimination under the Chinese Exclusion Act of 1882, with few exceptions. Angel Island revisits
this chapter of American history with a poignant multimedia experience scored for voices and a string quartet that blurs the boundaries of opera, theater, dance, and music.
Composed by Huang Ruo
Directed by Matthew Ozawa
Film and Video Design by Bill Morrison
Scenic and Installation Design by Riw Rakkulchon
Costume Design by Ashley Soliman
Sound Design by Angela Baughman
Performed by Choir of Trinity Wall Street and the Del Sol String Quartet
- January 11-13 at 7:30pm
- BAM’s Harvey Theater at BAM Strong651 Fulton St, Brooklyn, NY 11217
- 90 Minutes
- Questions: Please send inquiries directly to info@prototypefestival.org
- Tickets from $35. Use code PROTOINDUSTRY24 for 15% off at the $35 level
More INFO
Adoration tells the story of an orphaned high school student, his family, and his teacher, who come face to face with the intertwined power of fiction, racism, and the Internet.
Composed by Mary Kouyoumdjian
Libretto by Royce Vavrek
Music Directed by Alan Pierson
Directed by Laine Rettmer
Scenic Design by Afsoon Pajoufar
- January 12-13, 18-20 at 8pm | January 14 at 5pm
- The Sheen Center for Thought & Culture (18 Bleecker St, New York, NY 10012)
- 90 Minutes
- Questions: Please send inquiries directly to info@prototypefestival.org
- Tickets from $35. Use code PROTOINDUSTRY24 for 15% off at the $35 level
More INFO
Created by the highly acclaimed Dutch singer-songwriter and actress Wende, in collaboration with the Royal Court Theatre, The Promise explores profound themes of identity, origin, motherhood, and the complexities of human relationships
in our modern era.
Concept by Wende and Chloe Lamford
Created by Wende, Chloe Lamford, Isobel Waller-Bridge and Imogen Knight
Written by E.V. Crowe, Sabrina Mahfouz, Somalia Nonyé Seaton, Stef Smith, and Debris Stevenson
Electronic Produced by Jan van Eerd
Additional arrangement by Fiona Brice
Assistant direction by Izzy Rabey
Performed by Wende, Nils Davidse, Louise Anna Duggan, and Midori Jaeger
- January 10, 11, 13 at 9pm | January 13 & 14 at 4pm
- HERE Mainstage (145 6th Ave, New York, NY 10013)
- 100 Minutes
- Questions: Please send inquiries directly to info@prototypefestival.org
- Tickets from $35. Use code PROTOINDUSTRY24 for 15% off at the $35 level
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Chornoblydorf follows the remaining descendants of humanity who find themselves in a post-societal world following the death of capitalism, opera, and philosophy after surviving a series of disasters.
Composed and directed by Roman Grygoriv and Illia Razumeiko
Libretto by Yurii Izdryk, Publii Ovidii Nazon, Ivan Kotlyarevskyy, and Illia Razumeiko
Video Design by Dmytro Tentiuk
Lighting Design by Svitlana Zmieieva
Costume Design by Kateryna Markush
Sound Design by Vladyslav Kotlenko
- January 11, 13, 15, 18-20 at 7pm | January 14 & 21 at 2 pm
- La MaMa Experimental Theatre Club’s Ellen Stewart Theatre (66 E 4th St, New York, NY 10003)
- 145 Minutes
- Questions: Please send inquiries directly to info@prototypefestival.org
- Tickets from $35. Use code PROTOINDUSTRY24 for 15% off at the $35 level
More INFO
Malinxe is a contemporary retelling of the myth of La Llorona, or "the weeping woman."
Co-created by Autumn Chacon and Laura Ortman
Music by Laura Ortman
Libretto by Autumn Chacon, adapted from the myth of LA LLORONA
Directed by Autumn Chacon
Scenic and Costume Design by Jeffrey Gibson
Video Design by Mateo Galindo
Featuring Marisa Demarco and Jeffrey Gibson
- January 20 at 5pm
- The Playscape at Battery Park
- 30 minutes
- Questions: Please send inquiries directly to info@prototypefestival.org
- THIS IS A FREE OUTDOOR EVENT, NO TICKETS REQUIRED
More INFO
Oulouy and his crew Supa Rich Kids invite you to a celebration of life, highlighting each milestone in an African child’s journey from birth to death through dance, theater, and fashion. Afrikan Party is a futuristic ode to Africa
seen through the eyes of an African child born in the year 2090 and raised in the United States of Afrika. It is a celebration of the countless cultures, traditions, and rituals connecting this child to his past, his present and
his future. An open window to an infinite field of possibilities for new generations. Join the party and experience the rich, multicolored, polyphony of the African continent through the eyes of a child in this kinetic swirl of
street dance, mime, performance, and fashion.
Directed by Oulouy, co-directed by Yemi Osokoya; performed by Supa Rich Kids: Oulouy, Yemi Osokoya, Ambrose Tjark, Ordinateur; distributed by Africa Moment.
Odd Man Out is an immersive experience in complete darkness in which the audience hears, smells, tastes, and feels the story of Alberto, a blind jazz musician traveling home from New York to Buenos Aires after decades of self-exile.The
story is set on the flight back to Buenos Aires, with the audience entering the space as passengers on that flight. As Alberto tells his life stories to his seatmates, we start re-imagining his journey as he perceives it: in complete
darkness. Because the audience members – our “passengers” – are in complete darkness through the entire duration of the flight, the action is experienced by way of auditory stimulation, tactile objects, tasty treats, and enriched
smells. Passengers will even feel the weather occurring around them.
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